Isabella Yershova

LaFarge LaFarge is a typeface primarily inspired by the historic mosaic titling capitals found in the New York City Subway, designed by architect Squire J. Vickers and his staff between 1915-1927. These elegant but industrial signs are characteristic of early-20th century American architectural lettering, and show an evolution of the classical Roman capitals to lower contrast, bolder serifs, and more regular character widths. The majority of this lettering still remains in subway stations today, and though elements of the style vary from sign to sign, many carry the unique features that are reflected in LaFarge : high-waisted crossbars with angled serifs, elegantly curved “R” leg, and distinctive trapezoidal serifs. LaFarge expands this style into a lower case, taking cues from contemporary typefaces like Bookman, Cheltenham, and Della Robbia. A number of typographic features are included, such as small caps, ordinal indicators / superscript letters, arrows, and a set of border

BF Garant BF Garant ™ elegantly balances geometric design with dynamic character! The strict architecture is combined with open counters, tapered spurs and diagonal cut ascenders and descenders that create an open, lively character without denying the straightness of geometry.    “The last modern geometric typeface you really need!” The large x-height, dynamic details and some more conventional, humanist-inspired letter alternatives (a, g, k, u, y, G, Q - some of which are grouped together in the style set “Text”), make it not only a contemporary graphic element, but a highly legible timeless design tool, is not only ideal for logotypes or contemporary branding use, but also for modern editorial design. The 1,500 characters per font include ligatures, alternates, line figures and old style figures, small caps, numerals for small caps, fractions, symbols, currencies, arrows etc. In addition, 23 useful OpenType features make BF Garant ™ a workhorse for many typographic applications

Riveta Riveta is a sharp type family available in 18 styles, designed in 2021 by Joël Carrouché. Medium and medium italic styles are 100% free to use.  The typeface features a simple and solid geometric construction, with straight terminals and a very discrete triangular serif that gives the font some extra spice in big size.  Riveta is equipped for advanced typography, with features such as ligatures, tabular and proportional figures, arrows and icons, stylistic alternates, case-sensitive forms, fractions, scientific inferiors and superiors, and circled figures. Riveta Download Now View Gallery

TT Ricks Attention! Important information! There is no Cyrillic support in TT Ricks ! About TT Ricks : We are glad to present you the new font TT Ricks , which continues the line of trendy and yet affordable TypeType Starter Kit fonts. TT Ricks is a flamboyant elzevir-type serif, for which the words “cute” or “calm” are not a fitting definition. TT Ricks can be classified as a display title typeface that works especially well at large and medium sizes in packaging design, book graphics and posters. The typeface is inspired by the pre-digital font “De Vinne”, which was designed in 1892 by the designer Gustav F. Schroeder. We liked certain aspects of the historical prototype, but at the same time, when creating TT Ricks , we did not want to limit ourselves—on the contrary, we were eager to discover a completely new spirit and bring bright details to the font. The TT Ricks typeface stands out for its strong contrast, noticeable sharp serifs, narrow letterforms with a pronounced

Capitana Capitana is a Geometric Sans with humanistic proportions and open apertures. This means that all shapes are constructed from basic forms, the circle, triangle and square, and are designed according to the classic proportions of the Roman Antiqua. Distinct ascenders and pointed apexes with deep overshoot give it a cool beauty and classic elegance. Capitana is an ultimate allrounder: with 784 characters per style in nine weights from Thin to Black, it offers both light and extremely heavy weights for striking headlines. Its open forms make it particularly legible in small sizes, and it also offers several styles for running text. Capitana has a powerful opentype engine with small caps plus corresponding figures, tabular and oldstyle figures, arrows, alternate letters for g and a, as well as fractions, subscript and superscript, However, with its minimalist design and low contrast, it is best suited for on-screen use – meaning web design, user interface design (UI&UX

Monograf Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular , Monograf Bold , Monograf Text Regular and Monograf Text Bold . This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows

Monograf Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular , Monograf Bold , Monograf Text Regular and Monograf Text Bold . This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows

Monograf Monograf was originally designed as fixed-width monospaced font which has 2 weights (Regular and Bold). Monograf Text is a derived style of Monograf with proportional spacing and well-balanced kerning to make the text easier to read and look optically balanced. So in the total bundle you get 4 pieces of this font: Monograf Regular , Monograf Bold , Monograf Text Regular and Monograf Text Bold . This versatile font with clean geometry and slightly rounded corner elements works great in digital space, as well in print. It also retains its legibility at smaller sizes. Typographic features include old-style figures, directional arrows and four types of asterisks. The entire font is suitable for purposes such as tabular layout, coding, website, but also for magazines, logos, signs, products, and others. Features: Basic latin alphabet A-Z 116 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures, Directional arrows

Captura Now Captura Now supports you create your next award-winning typographic experience. Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura Now its warm-hearted face, perfect in form and shape. Expanded with an enormous character set, Captura Now offers the freedom to transform your design into the Cyrillic-language world, as well as into any Latin based language — including Vietnamese. Select one of the predefined styles or choose to continuously adjust the weights using the brand new variable font technology* . Numerous OpenType-features such as stylistic alternates, small caps, circled arrows, slashed zero and many more, have been implemented to simplify your work process. 1160 Glyphs | 18 Styles | 8 Weights + Italics | 2 Variable Fonts Open Type Features: Access All Alternates, Localized Forms, Subscript, Scientific Inferiors, Superscript, Numerators, Denominators, Fractions, Ordinals, Proportional Figur

Captura Now Captura Now supports you create your next award-winning typographic experience. Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura Now its warm-hearted face, perfect in form and shape. Expanded with an enormous character set, Captura Now offers the freedom to transform your design into the Cyrillic-language world, as well as into any Latin based language — including Vietnamese. Select one of the predefined styles or choose to continuously adjust the weights using the brand new variable font technology* . Numerous OpenType-features such as stylistic alternates, small caps, circled arrows, slashed zero and many more, have been implemented to simplify your work process. 1160 Glyphs | 18 Styles | 8 Weights + Italics | 2 Variable Fonts Open Type Features: Access All Alternates, Localized Forms, Subscript, Scientific Inferiors, Superscript, Numerators, Denominators, Fractions, Ordinals, Proportional Figur

Neue Rasant → neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system. → neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption. → neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between  a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness. → For trial an

Neue Rasant → neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system. → neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption. → neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between  a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness. → For trial an

Neue Rasant → neue Rasant is an interpretation of a typeface used by the Singapore Land Transit Authority for its directional signage. The typeface design is based on a rigid grid with little to no room for optical compensations or any kind of harmonisation whatsoever. This approach can be seen as epitomic to an engineer’s way of designing which offers paradoxically unorthodox solutions in a seemingly orthodox system. → neue Rasant is a uniwidth design which means that the individual characters are occupying the same amount of space across all weights and styles. This way of designing a type family turns out handy if one wants to avoid unintentional line breaks or space consumption. → neue Rasant comes in five weights ranging from Thin to Bold. For the Italics the designer has the choice between  a traditional slant to the right or an unconventional slant to the left. All weights and styles are equipped with arrows matching the individual weight’s stroke thickness. → For trial an