Download Cosima Fonts Family From Anita Jürgeleit

Cosima is an effective workhorse with a touch of subtle elegance, designed by Anita Jürgeleit. Launching your new brand or creating a new user interface for your mobile devices – selecting characteristic typeface for a brand and advertising is just as important as using the right font for app design, magazine or editorial – typography is always the essential part. Cosima’s vertically and horizontally cut stems make it appear strong and steady. The narrowed characters and expanded lowercase heights have an elegant impact on the text settings and show joyful designed details in larger sizes. This type family is available in 8 styles. Its language support covers 93 Latin languages, including Vietnamese. It provides an extended set of fractions, sub- and superscripts, lining and tabular figures. Sign up for news and updates about Cosima at www.anitajuergeleit.de

Download Cosima Fonts Family From Anita JürgeleitDownload NowView Gallery

Sablon fonts from Roman Černohous - (uqzdm)

Sablon Solid all caps display font with a hint of retro expression. Wide language support including complete set of Cyrillic characters. Sablon Download Now View Gallery

[jyivg] Download Bradbury Five fonts from Device

Bradbury Five A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse. Bradbury Five Download Now View Gallery

Plethora fonts from Sudtipos - (wkpml)

Plethora A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries ...

Isabella Yershova

Search This Blog