Skip to main content

[hcrexnafmd] Download Ancyra Fonts Family From Hurufatfont

Download Ancyra Fonts Family From Hurufatfont
Download Ancyra Fonts Family From Hurufatfont Download Ancyra Fonts Family From HurufatfontDownload Ancyra Fonts Family From Hurufatfont



Ancyra is a transitional serif family designed with current usage areas and requirements in mind. Efforts were made to provide the most effective harmony within each character and with the characters they are associated with.


For customizing the usage areas and providing an impressive and fluent reading experience; it is designed in three different optical weights as title, subtitle and body text.


Sharp and soft terminals used together (such as v, w, y, s, c, k) have an extraordinary effect, especially in italic styles. Contextual alternatives are designed to be compatible with the letters after the letters "c, e, t" in the text and create a cursive effect.


Ancyra is perfect for use in newspapers, magazines, e-books, packaging design and fashion industry, branding of quality products and services. Ancyra has a versatile usage area with its optical weights.



Download Ancyra Fonts Family From HurufatfontDownload NowView Gallery


Popular posts from this blog

Sablon fonts from Roman Černohous - (uqzdm)

Sablon Solid all caps display font with a hint of retro expression. Wide language support including complete set of Cyrillic characters. Sablon Download Now View Gallery

[jyivg] Download Bradbury Five fonts from Device

Bradbury Five A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse. Bradbury Five Download Now View Gallery

Plethora fonts from Sudtipos - (wkpml)

Plethora A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.  Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries ...