Skip to main content

[dnsua] Download European Sans Pro fonts from Bülent Yüksel

European Sans Pro
European Sans Pro European Sans ProEuropean Sans Pro



EUROPEAN SANS PRO


ABOUT FAMILY:

What makes "European Sans Pro" elegant, friendly and contemporary is its very rounded curves with very open terminals.


"European Sans Pro" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications.


This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects.


The extended, "European Sans Pro" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match.


FEATURE SUMMARY*:

- Variable Fonts*** for countless weight variation**.

- 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black.

- 4 widths: Normal, Narrow, Condensed, and Extra Condensed.

- Matching italics (12º) for all weights and widths .

- Matching small caps for all weights and widths.

- Lining and old style figures (proportional and tabular).

- Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y).

- Unlimeted fractions.

- Automatic ordinals (1st, 2nd, 3rd, etc.).

- 24 Dingbats + 19 Social Media and Block Chain icons.

- Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek.

- Extended currency support.


NOTES:

* Some features require OpenType and/or Unicode support.

** Variable fonts work well in software that supports variable font technology.

*** Using "Type > Convert Outlines" when creating PDFs in older versions of "Adobe InDesign" eliminates letter corruption. The definitive solution is the latest "Adobe Version 15.0.2".


You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support.


You can enjoy using it.



European Sans ProDownload NowView Gallery


Popular posts from this blog

Sablon fonts from Roman Černohous - (uqzdm)

Sablon Solid all caps display font with a hint of retro expression. Wide language support including complete set of Cyrillic characters. Sablon Download Now View Gallery

[jyivg] Download Bradbury Five fonts from Device

Bradbury Five A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse. Bradbury Five Download Now View Gallery

Plethora fonts from Sudtipos - (wkpml)

Plethora A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.  Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries ...