[dqksgywtvj] Download Goodland Fonts Family From Swell Type

Download Goodland Fonts Family From Swell Type

Built tall and strong, the Goodland font family is ready to do the heavy lifting in your next design project! Inspired by painted signs on industrial buildings in the town of Goleta, California, Goodland combines a mid-20th century aesthetic with modern features.

Three widths: Normal, Condensed and Compressed
Eight weights from ExtraLight to UltraBold
Matching italics for all
584 glyphs support 223 languages, including Vietnamese & Cyrillics
Two sets of Stylistic Alternates
Variable font to select any amount of width, weight or slant

The Goodland font family is a versatile branding solution. Extreme Light and Bold weights stand out in headlines and display type, while the mid-range Regular and Medium make for easily readable body text on light or dark backgrounds. Dial in the exact look you need with Stylistic Alternates and Variable Font features.

Explore the many features of the Goodland font with wonderful things that have come out of the Goodland!

Download Goodland Fonts Family From Swell TypeDownload NowView Gallery

Sablon fonts from Roman Černohous - (uqzdm)

Sablon Solid all caps display font with a hint of retro expression. Wide language support including complete set of Cyrillic characters. Sablon Download Now View Gallery

[jyivg] Download Bradbury Five fonts from Device

Bradbury Five A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse. Bradbury Five Download Now View Gallery

Plethora fonts from Sudtipos - (wkpml)

Plethora A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries ...

Isabella Yershova

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