Skip to main content

[lbjrrjncnw] Download Every Fonts Family From Anita Jürgeleit

Download Every Fonts Family From Anita Jürgeleit


EVERY is designed to be the most valuable typography equipment in your repertoire! 


It immediately reveals its true greatness and grandeur. Its sublime generosity, expressive aesthetics and unique presence underscore its image befitting its status. 


Rich in visions, a wide range of features have been created to master all your typographic challenges par excellence: True italics, small caps, old-style figures, discretionary ligatures and arrows are just some of the many possibilities that EVERY offers.


28 Styles in three optical sizes, each with over 900 characters, gives you the opportunity to create fascinating, high-quality design with the scent of iconic elegance.


Be exceptional – EVERY day.



FEATURES:

  • 24 Styles
  • 3 Optical Sizes (Head, Text & Micro)
  • 950 Characters
  • True Italics
  • Small Caps


  • Old Style Figures
  • Ligning & Tabular Figures
  • Sub- & Superscripts
  • Predefined Fractions
  • Discretionary Ligatures
  • Extended Currency Set (proportional & tabular currencies)
  • Full Latin Language Support (incl. Vietnamese)
  • Various Arrows




Download Every Fonts Family From Anita Jürgeleit


Labels:

Popular posts from this blog

Sablon fonts from Roman Černohous - (uqzdm)

Sablon Solid all caps display font with a hint of retro expression. Wide language support including complete set of Cyrillic characters. Sablon Download Now View Gallery
Read more

[jyivg] Download Bradbury Five fonts from Device

Bradbury Five A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the lighter weights can be used for text. Conveys an approachable, light touch with style and finesse. Bradbury Five Download Now View Gallery
Read more

Plethora fonts from Sudtipos - (wkpml)

Plethora A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later.  Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “ Plethora ”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries ...
Read more